Monthly Archives: November 2018

Forever Provincetown

Charlie Darby, Provincetown, ca. 1938. Courtesy of the Provincetown Beachcombers

For family historians whose ancestors may have been associated with the visual arts, the Smithsonian’s Archives of American Art is a preeminent repository of primary sources (www.aaa.si.edu). Founded more than sixty years ago, the collection – whose vast holdings include diaries, letters, scrapbooks, financial records, oral histories, and exhibition catalogues – is a must-visit for researchers. And so it was for me, back in 1988, when a research project first took me to the Archives, then with an office on Beacon Hill in Boston. There, I settled in to pore over the microfilmed scrapbooks of the Provincetown artist fraternity called the Beachcombers where my grandfather, John Whorf, had been a long-time member.  Continue reading Forever Provincetown

Who’s Phebe?

When a man married two women with the same first name in colonial America and the early post-revolutionary United States, genealogical misidentifications become more likely since the wife generally took her husband’s name in all subsequent records. Children may get assigned to the wrong mother; in this case, the two wives were “merged” into one wife. Continue reading Who’s Phebe?

The last Grand Sachem

General Grant with some of his officers, Ely Parker among them. From The Photographic History of the Civil War in Ten Volumes

Some years ago I was looking through a set of books that had been given to me by my wife’s grandmother. They were pictorial and history volumes relating events of the Civil War. This set was a memorial published 50 years after the war, in 1911, and there are hundreds of photographs in the ten volumes, many of which were taken by famed photographer Mathew Brady. While most of the pictures were interesting, there was one that immediately captured my attention. It was a photo of General Ulysses S. Grant and his staff just prior to the surrender of Robert E. Lee at Appomattox. The caption below the picture reads in part “… the Articles of Surrender which reunited a nation were inscribed in the handwriting of a descendant of the Seneca tribe of the Iroquois Indians of New York State.” I was astonished. None of the history books or teachers that I had ever mentioned that the articles of surrender at Appomattox had been penned by a full-blooded American Indian. I was also curious about how this came to be. Who was this person? I was determined to learn more. Continue reading The last Grand Sachem